Coventina’s Well
The Sacred Feminine – all very fascinating, but what has it really got to do with modern women?
Jane is haunted over a tragic incident that happened when she was fourteen. Why hadn’t she been paying attention to what was real instead of playing in fantasy? Now Amber, her beautiful ten year old daughter is missing, lost in the reserve forest or worse – why wasn’t she paying attention – again?
Cheryl is persistent – there ‘s no question about that. She is also exhausted, like severe adrenal exhaustion exhausted. Talented, hard-working, ethical, what is it that continually obstructs and eludes her from living the life she wants?
Skye is young, newly engaged to the man she loves and has a job organising travel-groups to sacred, historic and exciting places around the globe; the world is her oyster. But the world is in such a mess, she worries about the future, even wonders if she should have any children. Is there something in the worldwide re-awakening of the Sacred Feminine that can show her a better way forward and give her the reassurance she seeks?
Three women. Three different histories, personalities, generations. Is there something, some ancient wisdom, that connects them all and can answer them all?
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A Harp of Truest Tone
Two women – centuries apart – bound by a precious brooch with a song of love still vibrating in its crystalline memory.
Lesley Seymour is a gifted jeweller in modern day Melbourne who longs to find enduring love. She is haunted by dreams of an ornate brooch and a sad young woman with dark curls and dark eyes – Ally O’Leary – whose ardent love and terrible grief cries out across the centuries for response. Lesley finds a link to Ally, and the mysterious brooch, via a photo of John Boyle O’Reilly, a convict who escaped from the West Australian penal colony of Bunbury in 1869. Stung by the recent split from her fiancé and the reappearance of the man she always believed she would marry, Cameron Donne, Lesley sets about tracing the history of the convict, and the brooch, only to find they lead her back to Ally and to an event in her own family’s past. But can she prevent history from tragically repeating itself?
With the unfolding of seemingly unrelated events and through it Cameron’s unwavering fidelity to her, she comes to understand that,
in love, time stands still,
in love, two are one,
in love, in the field of possibilities,
anything is possible, especially the extraordinary.
Joanne McCarron 